The new cosplay gives the sadistically perceptive Batman villain known as the Riddler a steampunk makeover that DC needs to make canon in comic form! The Riddler is a Gotham City regular with an iconic green question mark suit that fans know well!
This account, which recently went by the handle @DTJAAAAM on Twitter, frequently works with different cosplayers from the geek community to take pictures of them in their homemade costumes. Gordon Briggs (@drgordonbriggs), a cosplayer who created and wore a steampunk Riddler costume, has also experimented with dressing as Immortan Joe from Mad Max: Fury Road, Leatherface from The Texas Chainsaw Massacre, and even Dream of the Endless from the Sandman series. All of these cosplayers bring Gordon’s unique style to designs that fans will genuinely enjoy.
“Riddle me this,” a Batman-related character’s catchphrase The phrase, “Riddler, aka Edward Nygma, isn’t the most physically intimidating villain of the group, but he sure is one of the brightest,” has penetrated popular culture for decades. Riddler doesn’t typically veer too far from his iconic costumed look, but he has had some memorable alternate attire that buck his original design in fun new ways, with this steampunk remix being a great example of that. Riddler always has some sort of green hue to his color scheme and wears a question mark somewhere on his clothes so that his victims know exactly who they’re dealing with.
“Riddle me this,” a Batman-related character’s catchphrase The phrase, “Riddler, aka Edward Nygma, isn’t the most physically intimidating villain of the group, but he sure is one of the brightest,” has penetrated popular culture for decades. Riddler doesn’t typically veer too far from his iconic costumed look, but he has had some memorable alternate attire that buck his original design in fun new ways, with this steampunk remix being a great example of that. Riddler always has some sort of green hue to his color scheme and wears a question mark somewhere on his clothes so that his victims know exactly who they’re dealing with.
So, DC has to give the Riddler and the rest of Batman’s rogues gallery a legitimate makeover in this eye-catching style as soon as possible, whether it be in an Elseworlds story or an alternate Earth where steampunk attire became the predominant fashion option. But in the interim, you can see more wonderful cosplay content from @DTJAAAAM and Gordon Briggs (@drgordonbriggs) on their individual social media accounts in addition to this amazing Riddler costume!
Why Paul Dano’s Riddler is the better version of Joaquin Phoenix’s Joker?
The similarities between Christopher Nolan’s The Dark Knight and Matt Reeves’ The Batman have received a lot of attention. The connection between Robert Pattinson’s Batman and Paul Dano’s Riddler has specifically been compared by fans to that between Christian Bale’s Batman and Heath Ledger’s Joker.
Yet, other from a few outward parallels, there isn’t much of a connection between Dano’s Riddler and Ledger’s Joker. Even if the Batman adversary and the Joker have many traits, it’s not the one most fans seem to believe.
Would You Want Another Joke? — Paul Dano’s Riddler, who terrorizes Gotham City throughout The Batman, is the most horrific comic book movie antagonist since the Joker in The Dark Knight. Yet, when he is ultimately revealed, it is evident that his primary aim isn’t just to create havoc but also to get away from his unrelenting loneliness.
Dano’s Riddler is a man who has spent decades simmering in his own terrible loneliness, in contrast to Ledger’s Joker, who appears content with who he is. He wants to make the city he calls home aware of his existence in the most dramatic way possible because he feels as though he has been forgotten by it. For these reasons, Joaquin Phoenix’s sad sack Arthur Fleck in the 2019 film Joker is more similar to Dano’s Edward Nashton than Heath Ledger’s Clown Prince of Crime.
Nashton from The Batman is a villain created out of loneliness and misery, much to Arthur from Phoenix. Nashton’s youth was characterized by his city’s false promises of rejuvenation, whereas Fleck’s was blighted by abuse and falsehoods. Both characters experienced injustices that were beyond their control, and they exploited these slights as justifications to wreak havoc on people they held accountable for their suffering.
Nashton’s reasonable complaints about Gotham are explored in The Batman without ever endearing Nashton to the viewer, in contrast to Joker, which pities its main character more than it ought to. It makes it possible for you to comprehend his reasons while also emphasizing that he is not someone the audience should empathize with.
The Dark Knight was the first comic book movie that, in some ways, really exposed the codependency between Batman and many of his foes. The interrogation scene in The Dark Knight is significant because it marks the turning point in the relationship between the Joker and Batman. Ledger tells Bale, “You complete me,” as if they were the protagonists in a romantic comedy.
By Nashton’s assertion that he and Pattinson’s Bruce Wayne are the same, the exchange between The Riddler and Batman in The Batman recalls the events of that incident. Ledger’s Joker, however, does not go on his mission with the intention of becoming an enduring companion to Batman. When The Dark Knight opens, he wishes to kill Batman; he discovers their commonalities until later in the picture.
Hence, despite the fact that the connection between the Riddler and Batman may initially seem to be similar to that of the Joker and the Caped Crusader, they are ultimately completely dissimilar. While The Dark Knight suggests that Ledger’s Joker might have existed with or without Bale’s Bruce Wayne, Edward Nashton played by Dano becomes The Riddler because he feels a connection to Pattinson’s Batman.
While Heath Ledger’s Joker and Paul Dano’s Edward Nashton both seek to destroy Gotham in The Batman, their goals couldn’t be more dissimilar. The latter uses witnessing the world burn as a means of subverting reality. They are ultimately more connected to each other than to Ledger’s agent of chaos because for Dano’s Riddler and Phoenix’s Joker, ruining Gotham is the only method they can conceive of to make other people feel the way they do.
Furthermore, Joker and The Batman succeed in making their main antagonists feel even more terrible and genuine by placing both Dano’s Riddler and Phoenix’s Arthur in such understandable emotional ground. The two movies are able to further develop the rooted aesthetic of Nolan’s Dark Knight trilogy. They not only establish themselves in real-feeling environments, but also populate them with antagonists who frighteningly resemble the toxic, aggressive masculine figures that are all too prevalent in the 21st century.
Viewers should start viewing The Riddler’s interactions with Batman as the closest they may ever get to witnessing Joaquin Phoenix’s Arthur Fleck interact with Robert Pattinson’s Batman rather than as recycled scenes from The Dark Knight.
